Marissa Nadler is gearing up to release her ninth studio album. The Path of the Clouds, the forthcoming LP from the Boston singer-songwriter, arrives October 29th via Sacred Bones and Bella Union. As a preview of what’s to come, Nadler has shared the album’s opening track, “Bessie, Did You Make It?,” along with the song’s pensive music video. Nadler wrote the bulk of The Path of the Clouds in quarantine, during which she found an odd solace in the documentary series Unsolved Mysteries. The show’s frequent topics of cold cases and paranormal wonders pushed Nadler to go for a similarly eerie approach with The Path of the Clouds, which sees her grow in her musical exploration. Here, reality and the metaphysical feel less distinct from each other, driven by simultaneous anxiety and curiosity a...
Explosions in the Sky ascended to indie rock stardom in the 2000s thanks to a beloved piece of Texas pop culture, Friday Night Lights; now, the Austin-based band are even further cementing themselves into Lone Star State canon with their latest project. Explosions in the Sky are readying the release of Big Bend (An Original Soundtrack for Public Television), a standalone album that builds off their score for the recent PBS documentary, Big Bend: The Wild Frontier of Texas. Along with their two-decade career of studio albums, Explosions in the Sky have also been around the block when it comes to composing film soundtracks. Back in 2019, they were approached to create the score for Big Bend: The Wild Frontier of Texas, an hour-long film that landed on PBS in early 2021. The documentary captu...
The Strokes have been the Kings of New York for two decades now, but the scuttlebutt around the palace suggests Geese are coming for the throne. The very young Brooklyn rockers — the eldest member just turned 19 — have announced their debut album Projector. It drops October 29th, and to herald its arrival, the quintet have unveiled the new single “Low Era.” The reference to The Strokes wasn’t accidental, and if you listen to previews of Projector you’ll hear many more. Songs like previous single “Disco” radiate a casual coolness, with textured guitar riffs that would slot nicely alongside cuts from Is This It? But music has come a long way over the last 20 years, and Geese are far more than aughts indie revivalists; the band utilizes tempo changes, psychedelic flou...
R.E.M. have announced a 25th anniversary reissue of their 1996 album, New Adventures in Hi-Fi, due out October 29th via Craft Recordings. As a preview, the legendary Athens, Georgia rockers have shared an alternate version of “Leave,” which you can stream below. The deluxe CD edition includes three discs featuring newly remastered audio, 13 B-sides and rarities, and a Blu-ray containing an unreleased film that was originally projected on buildings to promote the album’s release. The Blu-ray also features five HD-restored music videos from the New Adventures in Hi-Fi era. It’s all packaged in a 52-page hardcover book with new liner notes from journalist Mark Blackwell, archival photographs, and commentary from all four original band members, Patti Smith, Thom Yorke, and producer Scott Litt....
Neil Young has announced the first volume in his upcoming series of bootleg recordings. The Neil Young Official Bootleg Series — Carnegie Hall 1970 is set to be released October 1st via Shaky Pictures/Reprise Records. The 23-track collection captures the magic of the singer-songwriter’s near-mythic performance on the night of December 4th, 1970 — the first of two back-to-back shows at the legendary New York City venue. Throughout the evening, Young performed a stripped-back setlist of songs like “Down by the River,” “Cinnamon Girl,” and the then-newly unveiled title track to After the Goldrush. He also played early versions of numerous tracks which, up to that point, had yet to be released — or even recorded — including “Bad Fog of Loneliness,” “Old Man,” and “See the Sky About t...
Following up on his “SLUGGER” collaboration with slowthai and $snot from last month, Kevin Abstract has shared another new solo single called “SIERRA NIGHTS.” This time, the BROCKHAMPTON leader has re-teamed with frequent cohort Ryan Beatty. Described as an “ode to the end of summer” (oh God, too soon), “SIERRA NIGHTS” has the West Coast beat and echoing vocals of the perfect top-down jam. The track comes accompanied by a music video directed by Abstract himself that finds him and Beatty making moves around California. Check it out ahead. Both “SLUGGER” and “SIERRA NIGHTS” serve as precursors to Abstract’s third solo studio album. Abstract has been teasing the project for a few weeks now, and a press release confirms the effort is expected out “before the year is over.” The LP will be his ...
A new album from Nathaniel Rateliff & The Night Sweats is on the horizon: The Future, the soul-rock outfit’s first record since 2018’s Tearing at the Seams, is out November 5th via Stax Records. To share the news, Rateliff and company have offered a preview with the lead single “Survivor.” The Future was recorded at Rateliff’s studio just outside his home base of Denver, Colorado. “I look at the album overall as a big question,” the musician explained in a statement. “When I was writing the record we were in the middle of a pandemic and our future looked pretty bleak. I just continue to try to write from a place of hope. Then my own neurosis, and maybe being a Libra gets in the way, and I can’t make up my mind. There is this constant back and forth battle in me personally and I am sure...
John Carpenter has announced the soundtrack for David Gordon Green’s Halloween Kills. It will arrive October 15th via Sacred Bones and accompany the film’s release in theaters. As a first preview, Carpenter has shared “Unkillable.” Spanning 20 tracks, the album is described in a press release as “unmistakably Carpenter.” It contains “sinister vintage synth tones,” but also features the Master of Horror drawing from a “broader sonic palette” while taking advantage of digital production tools. The Halloween Kills soundtrack will be available on CD, cassette, and vinyl. The standard LP comes in orange as well as a “charred pumpkin” black. Sacred Bones is also offering a molten orange variant, with retailers like Rough Trade carrying exclusive pressings of their own. Pre-orders are ongoing. Ad...
Few cover albums can be considered legendary, but then, few cover albums ascend to the lofty heights of 2007’s Raising Sand. More than a decade after they intertwined their indelible voices (and winning the Grammy for Album of the Year in the process), Robert Plant and Alison Krauss have reunited to announce Raise the Roof, a new album arriving November 19th on Rounder Records. To whet the appetite, the duo have shared their take on “Can’t Let Go,” a song by Randy Weeks that was made famous by Lucinda Williams. Like Raising Sand, Raise the Roof was produced by T-Bone Burnett. It includes songs by Merle Haggard, The Everly Brothers, Anne Briggs, Allen Toussaint, Geeshie Wiley, Bert Jansch, and more, as well as “High and Lonesome,” an original song co-written by...
The Replacements are celebrating the 40th anniversary of their debut album, Sorry Ma, Forgot to Take Out the Trash, with a deluxe edition reissue. Due out October 22th via Rhino, the new set boasts 100 tracks, 67 of which are previously unreleased rough mixes, alternate takes, and more. Along with the 4xCD/1xLP set comes a 12×12 hardcover book with rare photos and liner notes from Replacements biographer Bob Mehr and their former manager Peter Jesperson. In addition to remasters of the album’s original tracklist, Sorry Ma, Forgot to Take Out the Trash (Deluxe Edition) includes some of the Minneapolis band’s earliest demos as a burgeoning punk act. Advertisement Related Video You can also hear the first professional live recording of the band, taken in January 1981 at Minneapolis’ iconic 7t...
A new album from They Might Be Giants is coming faster than you can say “Constantinople.” BOOK, the geek-rock icons’ 22nd (!!!) full-length LP, is due October 29th. As a preview of the upcoming music, TMBG have shared a surreal video for the snappy single, “I Can’t Remember the Dream.” BOOK, the album, is billed as a beacon of light amid a pretty unanimously rough period of time; As the band’s John Linnell describes, its songs are “humorously germane to the catastrophe going on around us.” “I Can’t Remember the Dream” is a perfect fit for this purpose, detailing all the benefits of a pleasant slumber: “I can’t remember the dream that I had last night/ But I woke with delight and excitement/ And then when I tried to remember the dream that I had last night/ It was gone, but the feeling I ha...
Indie folk-and-piano icon Aimee Mann has just announced a new album. It’s called Queens of the Summer Hotel and it’s due out November 5th via Mann’s own label SuperEgo. Apparently it came about after Mann started developing music for a stage adaptation of Girl, Interrupted in 2018. To preview the record, she’s sharing the album’s lead single, “Suicide Is Murder,” along with a music video below. According to a press release, Queens of the Summer consists of “a song cycle constructed from music that Mann wrote for the show.” It’s sung by Mann and orchestrated with her longtime collaborator Paul Bryan. As a nod to the project’s theatrical origins, the album features strings and woodwinds in addition to Mann’s usual style of piano playing. It spans 15 songs in total and serves as the follow-up...