10 Years 10 Questions
10 Years and 10 Questions with William Sadler: On Bill and Ted, Tales from the Crypt, and Never Fearing the Reaper
William Sadler is a man of many faces. He’s played good guys. He’s played bad guys. He’s been the President of the United States. He’s played an illiterate convict with a heart caked in soot. There’s just no limit to what he can and cannot do. This weekend, he returns to the underworld in the highly anticipated sequel Bill and Ted: Face the Music. As the board game-failing, bass-jamming Reaper, Sadler brings some much-needed humility to Hades. Once again, he steals every scene. In anticipation, we connected with the veteran actor to revisit those faces across 10 Years and 10 Questions. Given his eclectic and exhaustive resume, it was next to impossible to squeeze everything in within the allotted 20 minutes, but we tried our damndest. So, enjoy the stories we did get below. 1989 <img ar...
10 Years and 10 Questions with Kyle MacLachlan: On Dune, The Doors, David Lynch, and Battling Tesla
It’s hard to think of a performer who has aged more gracefully than Kyle MacLachlan. At 61, he’s still got that matinee-idol chin, full, robust head of hair, and the good-natured warmth to go along with it. Yet beneath the leading-man looks beats the heart of a considered, compelling character actor, a sensibility he’s brought to decades of beautifully idiosyncratic work in successes and flops alike. Even when he’s villainous, it’s impossible not to love him. (Except when he’s Mr. C in Twin Peaks: The Return, of course.) That kind of cerebral deadpan is key to his career-long collaboration with fellow Northwestern boy David Lynch, who plucked him from obscurity to star in his sprawling adaptation of Dune, whose disastrous reception nonetheless prepared him to become Lynch’s muse for Blue V...
10 Years, 10 Questions With David Koepp: On Jurassic Park, Indiana Jones, Spider-Man, and Stephen King
“I love the idea that you can go into a house and your grip on reality starts to loosen,” says director and screenwriter David Koepp, who confesses, “I feel like I’ve been telling that story for 25 years, but what can you do? You like what you like.” Over Zoom, the Hollywood veteran weighs in on the parallels between his latest film You Should Have Left and his previous directorial efforts, particularly 1999’s Stir of Echoes and 2004’s Secret Window. He’s not wrong: All three films revolve around troubled male protagonists left to their own devices as they dig deeper holes for themselves. But Koepp is also being modest. After all, you don’t become one of the most successful screenwriters of all time by telling the same damn story again and again — and, to be frank, he hasn’t. For 30 years ...
