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The Slits’ 1979 debut album Cut is considered to be one of the most important post-punk albums of all time thanks to its novel combination of reggae and punk. This week on In Defense of Ska, the podcast welcomes Siouxsie and the Banshees drummer Budgie, who also worked on Cut with The Slits, to talk about revolutionary record and more. Listen above, or wherever you get your podcasts.
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Budgie discusses the recording of Cut and what it was like to drum during the sessions, detailing the design of his beats for the record. He also talks about his relationship to singer Ari Up and how she had a love for pop music, as well as the experience of working with producer Dennis Bovell.
Throughout the discussion, Budgie touches on his earliest drumming influences and his first few experiences working with ska-adjacent music, including how he learned to play reggae on the drums. He also talks about the two-tone Ska movement, which was popping up around the same time as Cut, and his feelings towards it. The gang then launches into a discussion about the best drummer of all time John Bonham, with Budgie sharing his thoughts about the legendary Led Zeppelin stickman.
Listen to Budgie’s conversation about Siouxsie and the Banshees, The Slits, and more above, and make sure to like, review, and follow the series wherever you get your podcast. Don’t forget to check out all the Consequence Podcast Network series here.
Additionally, you can support the In Defense host Aaron Carnes by purchasing a copy of his book, In Defense of Ska. The 2nd, expanded edition is available now. Co-host Adam Davis also has a band called Omnigone, whose latest record, Feral, was released earlier this year. Enter to win a signed copy of In Defense of Ska the book and a Feral vinyl, plus other ska-tastic merch, here or using the widget below*. You can also preview the book with our exclusive excerpt about the Christian ska scene.
