★★★★
Saw X (2023), directed by Kevin Greutert, marks the tenth installment in the iconic Saw film series, serving as both a direct sequel to the original Saw (2004) and a prequel to Saw II (2005). The return of Tobin Bell as John Kramer adds a chilling dimension to this latest installment, which explores an untold chapter in Jigsaw’s grim legacy, starting with his desperate quest for a miracle cure for his cancer. This leads him to a risky medical procedure in Mexico that turns out to be a scam targeting the vulnerable. Armed with newfound purpose, John unleashes his signature brand of visceral justice through a series of ingenious and terrifying traps.
As any horror aficionado likely knows, the Saw franchise is not for the faint of heart, known for its unapologetic embrace of gore, bone-chilling screams, and copious amounts of bloodshed. Saw X continues this tradition, delivering a visceral and intense experience that fans of the series have come to expect.
What sets Saw X apart from some of the others in the series is its surprisingly coherent plot and a satisfying resolution. Yes, that may sound like a low bar, but given the awful sequels in the past, it’s worth noting now. This film offers a storyline that is more understandable, making it easier for the audience to follow the narrative and connect with the characters.
Another unique aspect of Saw X is its first act, which departs from the usual gruesome sequences. Instead, it delves into John’s personal struggle with cancer and his desperate search for a cure. This shift almost makes the film feel like a documentary about John’s life rather than a traditional horror movie. It’s a refreshing departure from the norm, even though it may initially seem out of place. If viewers have the patience to stick with it, they will find a definite payoff. Despite its documentary-like quality, the film maintains a moody atmosphere, especially in its coloring, serving as a reminder that it is indeed a horror film.
Once the first act concludes, Saw X plunges headfirst into the familiar territory that fans love: the gruesome games created by John Kramer. Here, the film doesn’t disappoint, providing ample doses of gore, clever traps, and stomach-churning moments. The attention to detail, special effects, and sound design work together to make the audience squirm in their seats—a quintessential Saw experience.
One notable but unsettling aspect is the inclusion of a child in one of the final games. While it adds a new level of shock value, it raises concerns about exposing a child actor to such horrific scenes. However, it’s worth noting that other horror films, like The Exorcist, have ventured into similar territory with rarely anyone batting an eye. Another drawback of Saw X is the amateurish acting from much of the ensemble cast, particularly during moments in which they plead for their lives. These scenes often feel redundant and fail to contribute significantly to the plot, given the audience’s awareness that escape is unlikely.
Despite these minor issues, the film excels in delivering the signature Saw twist—or twists—at the end. The Saw series has a knack for answering lingering plot questions with a well-placed twist, even if it occurs after the credits roll, which it does in this case.
In conclusion, as the tenth installment of the series, Saw X manages to impress and satisfy fans, surpassing many of its predecessors after the original trilogy. It offers a gratifying experience for followers of the cult classic while also checking the box for a solid horror movie for general viewers. With its intense traps, intricate storyline, and the return of Tobin Bell as John Kramer, Saw X proves that the legacy of Jigsaw still has the power to captivate and terrify audiences.
