In a new interview with Decker of the rock station Razor 94.7/104.7 (WZOR),HALESTORM frontwoman Lzzy Hale was asked if fans can expect to get a little taste of new music on the band’s upcoming tour that kicks off in July. She responded (as transcribed by BLABBERMOUTH.NET): “I’m going to say probably, but I will warn you, we’re a little sneaky about that. So, we’re not necessarily gonna be, like, ‘Hey, here’s a new song.’ But there are some things that we’re really excited about.”
Regarding the progress of the writing and recording sessions for the follow-up to 2022’s “Back From The Dead”, Lzzy said: “We’ve been in the studio with [producer] Dave Cobb for some time now, and it’s been different this time. It’s been very sporadic. It isn’t like we mapped out, like, eight weeks of time and we’re gonna get a record done. We started going to him — first it was three days to test him out and we wrote a song together from scratch. And everyone was, like, ‘Wait. What is this?’ And then we went back — we went out on tour, we came back, had another session with him for about two weeks, and then we had another one for three weeks. It keeps getting a little more. And so we have one more session fully booked for August after this tour to kind of finish up everything. But it’s really exciting.”
Elaborating on HALESTORM‘s working relationship with Cobb, Lzzy said: “The process has been very like A.D.D., which I really love, because all of us are a little touched by [it] [laughs], if anybody has noticed over the years. But it was a great challenge, because this is Dave Cobb. He’s worked with RIVAL SONS and AIRBOURNE, but that’s like the rock world that he’s in. He’s made most of his name from Brandi Carlile and Chris Stapleton and Jason Isbell, whom I love, all three of those artists, so much.”
Lzzy went on to say that she and her HALESTORM bandmates initially “got a lot of pushback” from their team about the prospect of working with Cobb. She recalled: “We were saying, ‘Oh, wouldn’t it be cool to do a record with Dave Cobb? Because that would be something that nobody would really expect from us. And I bet you he would come up with some crazy ideas. Don’t know the guy, but let’s figure it out.’ And everybody on our team was, like, ‘No, no, he’s too busy. That’s not you. He’s got this stuff going. He’s got, like, nine Grammys with Chris Stapleton. That’s not your scene.’ And so we kept pushing back. We’re, like, ‘No, no, no. Just ask him. Just ask him. We can handle rejection, but just ask him.’ And so finally, our A&R guy at our label is, like, ‘Fine, I’ll reach out. Whatever. Just stop bugging me.’ And so he reached out, and then he called me, like, the next day. He’s, like, ‘Hey, I heard back from Dave Cobb. And guess what? Not only does he absolutely know who you are, but he’s been wanting to make a record with you for, like, seven years. And he has a plan already of how he wants to do it.’ And we’re, like, ‘What? This is sick.’ So anyway, we went to go test the waters, and we go into the studio. And look, I write every day. When I die, there’s gonna be so much that everyone has to sift through, just gibberish songs, all that. So I always have, like, a bank with me, like, ‘Here’s riffs, here’s songs, here’s subject titles, here’s poetry.’ And he was, like, ‘No, no, no. We’re not gonna do anything that you already have. Nothing.’ I’m, like, ‘Uh. What?’ And he’s, like, ‘No, we’re just gonna start.’ Everyone’s sitting in a circle and we’re, like, gonna kumbaya. So everyone got an instrument, like, ‘All right. So what are we feeling today?’ I’m, like, ‘Is this a therapy session?’ And we ended up — it’s crazy, ’cause then we’ll like grab on to something ’cause of that pressure of, like, ‘Well, I was thinking about this as this is happening.’ ‘Cool. Let’s go there.’ And so he has this amazing instincts that are very, like, you can’t see it when you’re in it. And then, as soon as we start like putting stuff together, we kind of zoom out and, like, ‘Oh, wait a minute. This is so wild and awesome and exactly what we do.’ So it’s very strange. But we’re all very free. And then the other thing is that while we’re writing it, we’re recording it at the same time. So these tracks are, like, us discovering the song for the first time as well as we’re performing them. There are some things that we’re performing them all at the same time. There’s one track in particular that we completely forgot to put the click track on, and we did like three takes like that, and then we’re, like, ‘Oh, wait. We don’t even have a click going.’ Arejay [Hale, HALESTORM drummer and Lzzy‘s brother] said something, like, ‘Were we supposed to have like a click track so we all are on time together?’ And everyone’s, like, ‘We didn’t even notice it was gone.’ And so we did another take with the click. We’re, like, ‘No, we like that other one better.’ So there’s stuff like that. A lot of weird surprises. There’s a lot of space. And we’re really excited because we’re not going country or anything like that, or Americana. This is such a new — it’s got so much teeth, and it’s so different than what we just did with ‘Back From The Dead’, but in this almost weightier, heavier way. And the lyrics are — I’m tackling subjects I’ve never tackled before because I’m having the freedom to do so. So I’m very excited.”
HALESTORM and I PREVAIL are gearing up to embark on summer 2024 co-headlining tour. Produced by Live Nation, the trek kicks off on July 9 in Raleigh and runs through August 17 in Las Vegas. HOLLYWOOD UNDEAD and FIT FOR A KING will serve as support. The tour is also the catalyst and the creative spark for HALESTORM and I PREVAIL‘s collaborative track “Can U See Me In The Dark?”, which was released earlier in the month.
HALESTORM has partnered with mental health organization Sound Mind Live to engage fans to pledge support that will provide free-to-the-community mental health programming across the country for fans and the broader community.
Having amassed over 2.5 billion streams globally, the Grammy Award-winning band HALESTORM has grown from a childhood dream of siblings Lzzy and Arejay Hale into one of the most celebrated rock bands of the last two decades. Most recently, the band released “Back From The Dead”, their fifth full-length studio album which has tallied over 100 million streams worldwide. Rolling Stone called the title track “a biting but cathartic howler about overcoming all obstacles,” and that song as well as “The Steeple” marked their fifth and sixth number ones at rock radio, respectively. Associated Press said the album “will definitely be in the running for best hard rock/metal album of the year.” Their previous album, “Vicious”, earned the band their second Grammy nomination, for “Best Hard Rock Performance” for the song “Uncomfortable”, the band’s fourth #1 at rock radio, and led Loudwire to name HALESTORM “Rock Artist Of The Decade” in 2019. Fronted by the incomparable Lzzy Hale with drummer Arejay Hale, guitarist Joe Hottinger and bass player Josh Smith, HALESTORM‘s music has earned multiple platinum and gold certifications from the RIAA, and the band has earned a reputation as a powerful live music force, headlining sold-out shows and topping festival bills around the world, and sharing the stage with icons including HEAVEN & HELL, Alice Cooper, Joan Jett and JUDAS PRIEST. Additionally, Lzzy was named the first female brand ambassador for Gibson and served as host of AXS TV‘s “A Year In Music”.
