Home » Entertainment » Music » Hear the Evolution of Mozart’s Music, Composed from Ages 5 to 35

Share This Post

Music

Hear the Evolution of Mozart’s Music, Composed from Ages 5 to 35

Hear the Evolution of Mozart’s Music, Composed from Ages 5 to 35

More than a quar­ter of a mil­len­ni­um after he com­posed his first pieces of music, dif­fer­ent lis­ten­ers will eval­u­ate dif­fer­ent­ly the spe­cif­ic nature of Wolf­gang Amadeus Mozart’s genius. But one can hard­ly fail to be impressed by the fact that he wrote those works when he was five years old (or, as some schol­ars have it, four years old). It’s not unknown, even today, for pre­co­cious, musi­cal­ly inclined chil­dren of that age to sit down and put togeth­er sim­ple melodies, or even rea­son­ably com­plete songs. But how many of them can write some­thing like Mozart’s “Min­uet in G Major”?

The video above, which traces the evo­lu­tion of Mozart’s music, begins with that piece — nat­u­ral­ly enough, since it’s his ear­li­est known work, and thus hon­ored with the Köchel cat­a­logue num­ber of KV 1. There­after we hear music com­posed by Mozart at var­i­ous ages of child­hood, youth, ado­les­cence, and adult­hood, accom­pa­nied by a piano roll graph­ic that illus­trates its increas­ing com­plex­i­ty.

And as with com­plex­i­ty, so with famil­iar­i­ty: even lis­ten­ers who know lit­tle of Mozart’s work will sense the emer­gence of a dis­tinc­tive style, and even those who’ve bare­ly heard of Mozart will rec­og­nize “Piano Sonata No. 16 in C major” when it comes on.

Mozart com­posed that piece when he was 32 years old. It’s also known as the “Sonata facile” or “Sonata sem­plice,” despite its dis­tinct lack of eas­i­ness for novice (or even inter­me­di­ate) piano play­ers. It’s now cat­a­loged as KV 545, which puts it toward the end of Mozart’s oeu­vre, and indeed his life. Three years lat­er, the evo­lu­tion­ary lis­ten­ing jour­ney of this video arrives at the “Requiem in D minor,” which we’ve pre­vi­ous­ly fea­tured here on Open Cul­ture for its exten­sive cin­e­mat­ic use to evoke evil, lone­li­ness, des­per­a­tion, and reck­on­ing. The piece, KV 626, con­tains Mozart’s last notes; the unan­swer­able but nev­er­the­less irre­sistible ques­tion remains of whether they’re some­how implied in his first ones.

Relat­ed con­tent:

Hear All of Mozart in a Free 127-Hour Playlist

Hear the Pieces Mozart Com­posed When He Was Only Five Years Old

Read an 18th-Cen­tu­ry Eye­wit­ness Account of 8‑Year-Old Mozart’s Extra­or­di­nary Musi­cal Skills

Mozart’s Diary Where He Com­posed His Final Mas­ter­pieces Is Now Dig­i­tized and Avail­able Online

What Movies Teach Us About Mozart: Explor­ing the Cin­e­mat­ic Uses of His Famous Lac­rimosa

See Mozart Played on Mozart’s Own Fortepi­ano, the Instru­ment That Most Authen­ti­cal­ly Cap­tures the Sound of His Music

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Share This Post