Corey Taylor has posted the first behind-the-scenes teaser from the making of his new solo video. It will be the lead single and video from the SLIPKNOT and STONE SOUR frontman’s upcoming debut solo album, tentatively due in September. Taylor recorded the effort with his solo band consisting of Jason Christopher on bass, Dustin Schoenhofer on drums, and Zach Throne and Christian Martucci (STONE SOUR) on guitar.
Taylor told Terry “Beez” Bezer of Knotfest.com‘s “Mosh Talks With Beez” about the LP: “It was something I was planning to do anyway next year when I got off the road with SLIPKNOT, and, obviously, best-laid plans [were] just done and done [because of the coronavirus pandemic]. But I figured if this was the time to do it, why not try and do it. Me and my band quarantined. We social distanced for about two weeks, including our producer, Jay Ruston, who I worked with, and the people at the studio that I recorded at, which was Kevin Churko‘s Hideout [Recording Studio in Las Vegas].
“This was stuff that we had been working on for a while,” he continued. “This was stuff that I had written as [recently] as the last SLIPKNOT tour and as far back as… There’s a song on here that dates back to when I was in high school, so that tells you how long I’ve been sitting on a lot of this material. And it’s just stuff that I’ve kind of had floating around that didn’t really fit with either band. It just had different energy and a different vibe.
“The more people asked me if I was ever gonna do a solo thing, I started going, ‘Well, I kind of know what it would sound like, because I’ve got all these songs that really don’t have a home anywhere else.’ And lo and behold, boom.
“We went in, we recorded 98 to 99 percent of the music live in the studio. The only thing we overdubbed was vocals and piano and some acoustic. And we did 25 songs in two and a half weeks.”
Asked how many songs will end up on the final album, Taylor said: “Thirteen. We did thirteen originals. We recorded seven covers, and then we did six acoustic versions of the originals that we put together. Or [maybe] it’s five. I can never keep that straight. Maybe it’s six [covers] and six [acoustic versions] — I can’t remember. All I know is that we did an insane amount of work in two and a half weeks — something that we thought was gonna take two months — and we destroyed it. We were doing a song a day. And we got done, and we were, like, ‘Eh, okay. What are we gonna do now?’ Everything has come together so quickly that it’s crazy.
“It’s everything I wanted it to be,” he added. “There’s some SLADE in there, there’s some Johnny Cash, there’s some ALICE IN CHAINS. I mean, big choruses, fun rock, just huge solos — huge solos. It’s incredible. I, actually, two years ago, started teaching myself piano just so I can record this song that I wrote for my wife, and I was able to play it and record it. And it’s really good — it’s probably one of the best things I’ve ever written.”
Pressed about how a song that he wrote back in high school sticks around for so long without him properly recording it and releasing it until now, Corey said: “I’ve kept almost every notebook of ideas that I’ve had since I first started really writing songs — since I was about 15 or 16. So I’ve got stuff dating all the way back then, just sitting in boxes. And every once in a while, the grand hoarder that I am, I’ll start going through stuff thinking that I’m gonna throw it away, and I [say to myself], ‘I can’t throw that away ’cause maybe this is gonna be a song someday.’ And lo and behold, I kept finding this notebook that had the first verse — at least the first verse and the start of the second — of [a song that ended up on the record]. I always remembered how it would start, and I was, like, ‘Where would we go from there?’ And it was actually the first song that I really put together for this. I finished it finally — after 30 years, I finally finished this song. And it’s killer. There’s a riff in it that feels almost like PANTERA in a way, but then there’s this overall vibe of THE CHARLIE DANIELS BAND, which is really, really cool. So it’s a mover, man, and it’s really, really good.”
Asked whether he has already out a song that we will hear first, Corey said: “Actually, there’s two — there’s two songs that we’re gonna release first. The overall vibe of this album is fun — it is party. You put this on when you wanna feel good. So there are actually two songs that we’re thinking about releasing at the same time. There’s one that is the overall crusher single — really great, huge chorus, big vibe. And then there’s another one that is just as fun on the completely other end of the spectrum that people are gonna hear and they are going to lose their minds.
“The way I’ve been looking at it is it’s like a futuristic throwback,” he explained. “Everything on this album is a hybrid of all these different genres that I’m really into. It’s a modern take on vibes that people have heard before, and yet I’ve taken them and kind of thrown them through this crazy filter to see what we get. Everybody who hears it is just blown away, so I’m really, really stoked.”
SLIPKNOT recently canceled all of its previously announced summer 2020 tour dates, including the “Knotfest Roadshow”, Knotfest UK and Knotfest At Sea, due to the coronavirus pandemic which is sweeping the globe.
