Today, we celebrate the 50th anniversary of arguably the greatest live rock and roll album of all time. June 1969. Back from the brink, The Who are bigger than they ever imagined possible. With Tommy selling 200,000 copies in the first two weeks in the US alone, it was a remarkable turnaround for a band who, only a few months earlier, neared bankruptcy and calling it a day. In what must have seemed like the blink of an eye, the rock opera was born, and, with it, Pete Townshend ascended to his throne, the last high king of 1960s counterculture. With FM-friendly Tommy A-sides “Pinball Wizard” and “I’m Free” refining their “maximum R&B” down to proto prog-inflected rock, The Who found themselves zig-zagging across the world, topping major festival bills and — full testament to their expan...
Claudio Sanchez was working on the follow-up to Coheed and Cambria’s 2018 album Vaxis – Act I: The Unheavenly Creatures before life went into lockdown due to the pandemic. With the Armory Wars in the midst of a cease fire, the frontman has turned his attention back to his long-gestating solo project, The Prize Fighter Inferno. Sanchez has revealed he’s been writing a new album under the moniker, and today he’s shared a pair of songs to prove it. Speaking with SPIN, Sanchez said he hadn’t returned to Prize Fighter Inferno since 2012’s Half Measures EP out of a sense of “guilt” over having to put Coheed on hold. “… I’m like, ‘Oh, I wanna go do this thing … I wanna go exercise my ego with a side project.’ It makes me feel horrible, so I never do it.” Now that he’s unable to “just pass around ...
There’s a party down at Higgins Haven — and Jason’s gonna crash it. On Saturday night, the Halloweenies are hosting a live watch party of 1982’s Friday the 13th Part 3 exclusively on Consequence of Sound’s Twitch channel. So, bring your hockey mask, your beer, your candy, maybe even some buds because we’re going to be throwing one hell of a soiree. And wouldn’t you know it, Shelley’s met some new friends in town! Don’t miss out: Everyone’s gonna gather around the campfire at 10 p.m. EST / 7 p.m. PST to start the movie together. FYI: Friday the 13th Part 3 is currently streaming via Hulu. Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Podchaser | RSS Revisit our episode of the film above, and tune in below.
In the wake of the coronavirus pandemic, over 700 musicians have signed an open letter asking the US Congress to increase relief measures for artists. A wide range of acts have signed the petition so far, including Fugazi’s Guy Picciotto, Sonic Youth’s Lee Ranaldo, Deafheaven, Julia Holter, Charly Bliss, and Jeff Rosenstock. The newly formed Union of Musicians and Allied Workers (UMAW) penned the letter as a way to ask their government representatives — especially Speaker Pelosi, Senator Minority Leader Chuck Schumer, and leaders of the Congressional Arts Caucus — to consider more helpful COVID-19 relief measures for artists. To make contacting representatives easier, the union has created a special phone number to connect callers to the aforementioned offices, the prompts of which ar...
Marking his fourth original release in 2020 with dancefloor-ready “The Movement,” Croatian producer Matroda has undoubtedly been working hard this year. He is still riding off the success of his Red Tape EP, which was released last year and included collaborations with the likes of BRUX and Kaleena Zanders, as well as late 2019 hits that followed. Those include the boundary-pushing “Lose Control” with Wax Motif and “Walk In the Spot” released via Tiësto’s Musical Freedom imprint. With “The Movement,” Matroda continues doing what he does best, combining the sounds of tech and G-house to create memorable club gems, while showcasing his immense production skills and creativity. Out via his own recently-launched imprint Terminal Underground, “The Movement” features funky vocals in classic...
Take a guess at i_o‘s favorite number. His recent project, a three-part series of four songs each, is titled 444, if that’s any clue. Its third and final installment, titled AM 444, was announced today and is due out May 29th. Its lead single, “Annihilation,” was also released today via mau5trap. Following 2019’s ACID 444 and February’s NRG 444, each piece of the project has been dedicated to the dance music roots defining i_o’s sound, including warehouse dubstep and aggressive, uptempo techno. “Annihilation” and AM 444 will explore the the producer’s softer side with melodic and progressive house. It will also be the first set of songs to be created with alt-pop artist Lights, perhaps best known in EDM f...
It’s a big honor to be featured alongside Nicky Romero for Protocol Recordings‘ 200th release. The producers who earned that coveted position are Israeli duo Teamworx, who celebrated the milestone with the festival-ready anthem “Techno” featuring Mr. Sid and George Z. The track already received massive crowd appreciation when Romero dropped it during his special Avicii Tribute Concert set and during his Tomorrowland United Through Music livestream, and now it’s available to blast at your own private festival party. The producer hodgepodge has come together seamlessly on this psytrance edit, delivering notable signature sounds from each of the artists. It transports you to a crowded festival mainstage, to the point where you can almost feel the fire canno...
Sensing an opportunity to protect the world from de-evolution, Devo is selling their trademark energy dome hats with a twist: A plastic face shield attached for COVID-19 protection. It’s a good thing. “The dome is solid and the attached shield is clear, but it’s what you can’t see that gets you!” a statement on the band’s website read. “Stay safe from invisible particles and unwanted bodily fluids in this coordinated, disease-blocking, Devo Energy Dome PPE kit headgear. The shield attaches to your Energy Dome via Velcro. It’s simple and it’s safe!” “As you know the Coronavirus pandemic squashed any DEVO 2020 concert plans for the time being. We shall see what happens. In the meantime we know that as the lockdown is eased human interactions at concerts, sporting events, etc. mean that masks...
For the latest edition of Foo Fridays, Dave Grohl and the Foo Fighters have unlocked the concert film Live at Wembley Stadium. The footage was compiled over two sold-out shows in London on June 6th and 7th of 2008. The set drew heavily from the Foos 2007 album Echoes, Silence. Patience & Grace, and included special guest appearances by Jimmy Page and John Paul Jones of Led Zeppelin. With Grohl on the drums and Taylor Hawkins on the mic, they played the Zeppelin favorite “Rock and Roll”, before Grohl and Hawkins switched places for “Ramble On”. In introducing Page and Jones, Grohl said that the country of England “made us the band we are today,” and so he felt compelled to plan something special. “Just so you know, tonight, playing here at fucking Wembley Stadium, i...
Cue up the Aerosmith, Bruce Willis is dialing things back to Summer 1998. On Thursday, the blockbuster star waxed nostalgic amidst quarantine by dusting off his trademark orange jump suit from Michael Bay’s Armageddon. His daughter Rumer Willis, posted the hilarious photo on her Instagram, writing, “He said this is ‘His saving the [world] outfit’ (Actual one from Armageddon).” She also added an appropriate hashtag: “#ThisManIsADamnLegend.” Not gonna lie, it’s good seeing Harry Stamper back in action, particularly after he saved the world at the end there on that nasty asteroid. As you’ll see below, Willis is in true action star mode, too, and his eyes say it all: “Back off, Covid.” Here’s hoping he dusts off the Hudson Hawk hat next week.