For the latest installment of their Facebook Watch series, The Biebers on Watch, Hailey and Justin Bieber went live to answer questions from fans. When asked about the sitcom Friends, the couple couldn’t help but gush, noting that it’s their favorite show. “We watch Friends every night before we go to bed,” Hailey revealed, before adding, “I watched all of Friends from start to finish when I was single, I watched it every day.” “It’s a good palate cleanser for the soul in the sense of–you know how you have ginger when you have sushi? Same vibe,” the “Sorry” singer added. The conversation soon turned to the topic of marriage, and fans wanted to know how the couple felt about being married so young (Justin was 24 and Hailey...
The powerhouse vocalist has earned more than 30 top 10 hits as a soloist and in a group. We hope this week’s chart news can make Taeyeon a bit more “Happy.” The K-pop superstar returns to Billboard‘s World Digital Song Sales chart with “Happy” entering at No. 9 this week. The nostalgic R&B-pop track sold 1,000 downloads in the week ending May 8, according to Nielsen Music/MRC Data. The No. 9 debut for “Happy” marks Taeyeon’s 15th top 10 entry on World Digital Song Sales to date. Since making her first solo appearance in 2014 with the song “Breath,” sung alongside fellow K-pop singer Jonghyun, Taeyeon has been a consistent chart force. The star earned her highest-charting single in early 2016 with “Rain” ...
They’re the bad guys (duh). That’s the message Anthrax drummer Charlie Benante and Suicidal Tendencies bassist Ra Diaz are sending with their hard rock rendition of Billie Eilish‘s Hot 100 chart topper, “bad guy.” The new rendition still features the 18-year-old star’s vocals, while Benante, accompanies on drums and guitar, and Diaz plays bass. “My daughter @miiabenante would play @billieeilish in the car all the time, when I heard the song #oceaneyes I was hooked,” Benante wrote on Instagram announcing the cover. “When this song came out I knew it was going to blow up and it did. @ra_diaz and I Loved this tune and wanted to do a Remix of it. We added some crunch, some funk, some Gr...
The Pretty Reckless are back with the new single, “Death by Rock and Roll”, a guitar-driven anthem highlighted by singer Taylor Momsen’s powerful pipes. The new song comes shortly after it was announced that the band had signed a new deal with Fearless Records. The track kicks off with a heavy guitar riff and features Momsen singing about the deaths of various characters, ending each of their stories with, “But on my tombstone when I go/ Just put ‘Death by Rock and Roll’.” Momsen’s vocals range from silky smooth in the verses to a full-on scream toward the end of the song. “In a lot of ways, this new album feels like a rebirth and our first single, ‘Death by Rock and Roll’, represents that salvation that my favorite music brings me,” said Momsen in a press release. “Rock is freedom and thi...
Rico Nasty flaunted her nasty bite on brawny, edgy singles like “Hard” and “Lightning”. Today, the young rapper is showing us a more kid-friendly side to her flow on “My Little Alien”, her contribution to the new Scooby-Doo movie. On the cute trap-pop treat, Rico talks about an unconventional and literal otherworldly crush. “You’re my little alien/ You came down from out of the sky/ People don’t know what you are/ And I couldn’t explain it if I tried,” she sing-raps on the chorus. It might be a stretch to dub it a “love is love” tune in time for Pride month, but Rico did just DJ one of the hottest queer Zoom raves this week. Hear it for yourself below, followed by the full soundtrack for Scoob!, which also features Best Coast covering the classic Scooby-Doo theme song. Editors’ ...
If the last few months have proven anything, it’s that this world is endlessly unpredictable. Case in point, no one could have expected Dylan Baldi and Jayson Gerycz of Cloud Nothings to come out of nowhere and drop a freeform jazz album. But here we are, with the bandmates forming the Baldi/Gerycz Duo and surprise releasing a new album called Blessed Repair. The 44-minute, five-track collection finds Cloud Nothings’ guitarist/singer Baldi playing saxophone and drummer Gerycz experimenting with new techniques on his kit. Unlike their work with their post-indie band, the duo’s new project finds them recording completely off the cuff. “Cloud Nothings is very much about fully written and composed songs, which take lots and lots of work,” Baldi said in a statement. “I can spend days working on...
Today, we celebrate the 50th anniversary of arguably the greatest live rock and roll album of all time. June 1969. Back from the brink, The Who are bigger than they ever imagined possible. With Tommy selling 200,000 copies in the first two weeks in the US alone, it was a remarkable turnaround for a band who, only a few months earlier, neared bankruptcy and calling it a day. In what must have seemed like the blink of an eye, the rock opera was born, and, with it, Pete Townshend ascended to his throne, the last high king of 1960s counterculture. With FM-friendly Tommy A-sides “Pinball Wizard” and “I’m Free” refining their “maximum R&B” down to proto prog-inflected rock, The Who found themselves zig-zagging across the world, topping major festival bills and — full testament to their expan...
Claudio Sanchez was working on the follow-up to Coheed and Cambria’s 2018 album Vaxis – Act I: The Unheavenly Creatures before life went into lockdown due to the pandemic. With the Armory Wars in the midst of a cease fire, the frontman has turned his attention back to his long-gestating solo project, The Prize Fighter Inferno. Sanchez has revealed he’s been writing a new album under the moniker, and today he’s shared a pair of songs to prove it. Speaking with SPIN, Sanchez said he hadn’t returned to Prize Fighter Inferno since 2012’s Half Measures EP out of a sense of “guilt” over having to put Coheed on hold. “… I’m like, ‘Oh, I wanna go do this thing … I wanna go exercise my ego with a side project.’ It makes me feel horrible, so I never do it.” Now that he’s unable to “just pass around ...
There’s a party down at Higgins Haven — and Jason’s gonna crash it. On Saturday night, the Halloweenies are hosting a live watch party of 1982’s Friday the 13th Part 3 exclusively on Consequence of Sound’s Twitch channel. So, bring your hockey mask, your beer, your candy, maybe even some buds because we’re going to be throwing one hell of a soiree. And wouldn’t you know it, Shelley’s met some new friends in town! Don’t miss out: Everyone’s gonna gather around the campfire at 10 p.m. EST / 7 p.m. PST to start the movie together. FYI: Friday the 13th Part 3 is currently streaming via Hulu. Listen via Apple Podcasts | Spotify | Google Play | Stitcher | Podchaser | RSS Revisit our episode of the film above, and tune in below.
In the wake of the coronavirus pandemic, over 700 musicians have signed an open letter asking the US Congress to increase relief measures for artists. A wide range of acts have signed the petition so far, including Fugazi’s Guy Picciotto, Sonic Youth’s Lee Ranaldo, Deafheaven, Julia Holter, Charly Bliss, and Jeff Rosenstock. The newly formed Union of Musicians and Allied Workers (UMAW) penned the letter as a way to ask their government representatives — especially Speaker Pelosi, Senator Minority Leader Chuck Schumer, and leaders of the Congressional Arts Caucus — to consider more helpful COVID-19 relief measures for artists. To make contacting representatives easier, the union has created a special phone number to connect callers to the aforementioned offices, the prompts of which ar...
Marking his fourth original release in 2020 with dancefloor-ready “The Movement,” Croatian producer Matroda has undoubtedly been working hard this year. He is still riding off the success of his Red Tape EP, which was released last year and included collaborations with the likes of BRUX and Kaleena Zanders, as well as late 2019 hits that followed. Those include the boundary-pushing “Lose Control” with Wax Motif and “Walk In the Spot” released via Tiësto’s Musical Freedom imprint. With “The Movement,” Matroda continues doing what he does best, combining the sounds of tech and G-house to create memorable club gems, while showcasing his immense production skills and creativity. Out via his own recently-launched imprint Terminal Underground, “The Movement” features funky vocals in classic...