‘Barbie’ Didn’t Make Our Top 10. Readers Spoke Up.

Every year, our critics review numerous movies, television shows, musicals, plays, operas, dance performances, music and more. And come December, they whittle down their favorites to a list of 10.

But what are best-of lists if not an invitation to critique?

Here’s a look at readers’ comments across several popular categories.

Television | Movies | Theater | Pop Music

Best TV

In a year when the television industry was turned upside down by strikes, and when corporate fantasies of unlimited growth seemed to find some kind of ceiling, there was still almost too much good stuff to keep up with. Luckily, we have three critics who do that for a living — and luckier still, they offered three different prisms through which to view the year in TV, at home and abroad.

Of course, there is no world in which “Succession” and “Reservation Dogs” weren’t each going to appear twice, and our readers seemed OK with that. As for other reader favorites like “Only Murders in the Building” and “The Gilded Age,” maybe next year. (Sorry, “Billions,” your time is up.)

Here’s a look at what some of our readers said.

Michel Forest of Montreal, Quebec:

No love for “Billions”? Come on! Sure, it was cartoonish at times, but it was such a fun show to watch, with great acting and some of the best dialogue on TV. Anyway, I’ll watch anything with Paul Giamatti and Damian Lewis, they are such great actors!

Jodi Schorb of Gainesville, Fla.:

I thought Season Two of “Heartstopper” was honest and adorable. One can only take so many murder-mysteries and moody thrillers. It’s hard to make an earnest comedy, let alone one that treats gay, transgender, straight and (a surprise) asexual protagonists with such tenderness. If we are going to add one rom-com on the list, “Heartstopper” deserves some love.

Richard Laible of Winnetka, Ill.:

Great list EXCEPT you left off the best show of the year, “Lessons in Chemistry”! You should really send out an edited list … and maybe an apology (j/k).

Best Movies

“Barbenheimer” signaled a great year for movies, and our critics recognized the “Oppenheimer” half of the phenomenon, along with “Killers of the Flower Moon,” “Menus-Plaisirs — Les Troisgros,” “Past Lives” and others. Readers, on the other hand, questioned the merits of “Asteroid City” and “Oppenheimer,” and named “The Holdovers,” “Anatomy of a Fall” and “Barbie” as favorites.

Peter Malbin of New York City:

I just saw “Saltburn,” and it was outstanding. Well-acted and original film set in Oxford and an English manor house. The story is entertaining and sexy. Barry Keoghan is brilliant! He was also in “Banshees of Inisherin.” “Saltburn” should be at the top of the lists!

Beth Samuelson of Oakland, Calif.:

Where is “Maestro” on these lists? A terrific film that should not be missed. And the reviews have been excellent!

Charise M. Hoge of Bethesda, Md.:

The exclusion of “Barbie” from this list is like putting her back in the box … that powerful (yes, powerful) film deserves recognition.

Jill Krupnik of Brooklyn, N.Y.:

I am a little surprised that my personal favorite — the wondrous “The Boy and the Heron” — didn’t make even an honorable mention, but here we are.

Perhaps Brian Seifert of Cincinnati summed it up best:

Critics see a lot of junk, so they like the intense, quality-issue movies that come along. Average people deal with a lot of junk, so they like lighter entertainment to escape and relax. The two groups have never been farther apart.

Best Theater

“Purlie Victorious,” “A Doll’s House” and “Just for Us” were among Jesse Green’s picks for the year’s best theater. Many of the plays and musicals that resonated in 2023 deftly married elements of drama and comedy. Our readers pointed out some of the shows that — despite being fan favorites or being beautifully performed — didn’t make our list.

Eric Bogosian, the New York actor and playwright, praised “Sabbath’s Theater,” as did several other commenters. “What are you afraid of? Great performances by three of our greatest actors and actresses? Please …,” he wrote.

Marcia W. Orange of Fort Lee, N.J.:

“Shucked” deserved more love and attention. It was the most original and laugh-out-loud-funny show I have seen in years … even better than “Book of Mormon.” What a pity more people haven’t seen it.

Joseph LaFalce of South Orange, N.J.:

How can any roundup of the best of 2023 not include the phenomenal “Parade,” including the unique staging and heartbreaking performances by Ben Platt and Micaela Diamond?

Raissa Lim of New York City:

RIP to the magnificent “Here Lies Love” by David Byrne. It was the best Broadway show I saw this year, and the best theater experience of my life. Never again will Broadway see that same confluence of superb talents come together to create an extraordinary and indescribable experience. It was a brand-new kind of art form, not the standard narrative theater audiences have come to expect, so perhaps the wrong standards were sometimes applied when assessing it. Its minor narrative weaknesses were more than offset by other elements such as video artistry, lighting, set design, music, choreography — making for an overall spectacular whole. I’m sorry for those obstinate souls who didn’t see it for their own obscure reasons. They missed a once-in-a-lifetime experience (that does NOT glorify the Marcoses but instead pays tribute to a true hero). Indeed, perhaps bovine audiences get what they deserve when flying cars and dancing lions beat out truly groundbreaking artistic excellence at the box office.

Best Pop Music

One of the albums that had the biggest impact in 2023 actually came out at the tail end of 2022: SZA’s “SOS.” Between their albums and song lists, our three pop music critics agreed “SOS” was one of the year’s best, along with LPs from Olivia Rodrigo and 100 gecs. Beyond that, their tastes widely diverged from one another — and, it turns out, from our readers’. (Michael Hasse, a reader in Paris, created this helpful Spotify playlist with albums recommended in the comments.)

Roddy P Glass of London:

I will add my vote to “Now and Then,” though secretly, in the quiet of my heart, I know it comes nowhere near the standard the Beatles have always given us: perfection.”

Penny Beach of Boise, Idaho:

Where is Noah Kahan? Definitely should be on this list.

Charles Grissom of Raleigh, N.C.:

I know these lists are about pop music, and that is driven by 20-somethings. But Jimmy Buffett’s posthumous 2023 album “Equal Strain on All Parts” is wonderful music and storytelling, and the song “Portugal or PEI” is an absolute gem.

Patrick Tierney of Louisville, Ky.:

I love these lists but [Lindsay] Zoladz’s in particular. Rodrigo, Polachek, and Debby Friday all made my top 10 and show how much the present and future of pop/rock/dance music is led by creative young women. I’d add to the group three very different artists — yeule, Die Spitz, Avalon Emerson — that made this a great year for new music.

Scott McGlasson of Minneapolis, Minn.:

None of my faves of the year were even mentioned: Tim Hecker, the Necks, the National, Blonde Redhead, PJ Harvey. I know, I’m old and not a music critic…

John Franz of East Bangor, Pa.:

I was shocked to see some songs and performers I’ve actually heard of. Peter Gabriel’s album is brilliant. Not sure if the new Stones album is their best work. I found Dolly’s album hilarious; she’s a gem who I never listened to much before this new album. That’s about it. Seems to me that any song from the Tedeschi Trucks album should be on the list. Kenny Wayne Shepherd. And how about Jason Isbell’s great new album.

Dan Cain of Washington, D.C.:

I vote for Yo La Tengo’s “This Stupid World.” Best album in a while from one of the founding bands of indie rock. Just listen to the first 30 seconds of the opening track, ideally at a very loud volume. It’s great.

Paul Kevin Smith of Austin, Texas:

I don’t know why she doesn’t get more attention, but Jessie Ware’s “Begin Again” was a perfect pop/disco song released this year.

And we’ll leave the last words to John Weston of Chicago:

So many comments here seem to rest on the idea that musical progress ended when John Bonham died, Lynyrd Skynyrd crashed, the Beatles broke up, the Big Bopper died, or Chuck Berry or Bessie Smith (let’s be honest, none of y’all would have cared when she died … like most of the world at the time), when “The Rite of Spring” was first performed, when Beethoven finished his Ninth Symphony or with Liszt’s use of the tritone in “Dante Sonata” (how dare he!).

To all of those such commenters and thinkers, I shall quote the one and only Bob Dylan (referenced by many on this thread):

Mothers and fathers throughout the land/
Don’t criticize what you can’t understand/
Your sons and your daughters are beyond your command/
Your old road is rapidly aging/
Please get out of the new one if you can’t lend a hand/
For the times they are a changin’.