“I often steer clear of skin tones, as I want to avoid distracting from the paintings’ broader themes.”
So, how do you begin your painting process? What’s your creative approach?
Well, usually, I start with a quick black pencil sketch. I do this quickly and then discard it. I create a pile of these sketches, then choose one to work on. After deciding the composition, I transition to my computer and start painting digitally. The digital process helps me bring out a 3D effect through light and shadow, enhancing the illusion. I experiment with this effect, though it’s not always fully controlled. There’s a push and pull with the software tool. I use Affinity Photo, similar to Photoshop, which adds depth to my brushstrokes.
Your color choices seem vital. What guides your color selections?
I’m intrigued by creating contrasts with colors, utilizing complementary colors like red and blue, orange and blue. It helps create significant visual contrast. I often steer clear of skin tones, as I want to avoid distracting from the paintings’ broader themes. I aim for viewers to engage without being preoccupied by racial interpretations. Hence, I use body-like colors that avoid categorization into specific skin tones.
How long does it usually take to complete a painting, and do you work on multiple pieces simultaneously?
Yes, I usually work on multiple paintings concurrently. A session typically spans a day, during which I work on one painting. Since drying time is needed between sessions, a single painting might take about three weeks to complete, considering at least five days before I revisit it.
Do you have any pre-painting rituals?
Yes, I listen to music while sipping coffee. Recently, I’ve started rope jumping in the morning to get my blood flowing. Then I examine my paintings and motivate myself to start the creative process.
How do you balance painting and sculpture? Which medium draws you more?
I’ve always seen myself more as a sculptor, even though I never formally studied art. For me, painting is a sculpting process. I began sculpting with soft foam a couple of years ago, allowing me to work on a larger scale. Both mediums are connected by my digital compositions. I always start with a digital sketch, even for sculptures. I need that initial idea to guide me.
