Tagged: 1990s, a tribe called quest, Air, Aphex Twin, Archives, basehead, Basement Jaxx, beastie boys, Beck, Bikini Kill, bjork, Bob Dylan, boredoms, buena vista social club, built to spill, cibo matto, Cornershop, Cypress Hill, Daft Punk, De La Soul, dj shadow, dr octagon, Dr. Dre, elliott smith, everything but the girl, Fatboy Slim, fugazi, fugees, green day, HOLE, Ice Cube, Kristin Hersh, Lauryn Hill, Lisa Germano, Liz Phair, ll cool j, lucinda williams, mary j. blige, Massive Attack, metallica, Missy Elliott, Moby, my bloody valentine, Neil Young with Crazy Horse, Neutral Milk Hotel, nine inch nails, Nirvana, nusrat fateh ali khan, oasis, Outkast, Pavement, pearl jam, PJ Harvey, Portishead, prince paul, Public Enemy, pulp, r.e.m., radiohead, raekwon, rage against the machine, Red Hot Chili Peppers, sebadoh, Sinead O'connor, sleater-kinney, Slint, Smashing Pumpkins, sonny sharrock, Soundgarden, Stereolab, steve earle, Sublime, The Breeders, The Chemical Brothers, The Notorious B.I.G., The Orb, the Prodigy, TLC, tori amos, Tortoise, Tricky, u2, uncle tupelo, wu-tang clan, Yo La Tengo
This article originally appeared in the September 1999 issue of SPIN. “You must be high.” We heard that a lot during the time we spent preparing[See the full post at: The 90 Greatest Albums of the ’90s]
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