In a new interview with NewsNation‘s “Banfield”, TWISTED SISTER frontman Dee Snider, who was famously called to testify before the U.S. Senate against the proposition to have warning labels be placed on albums deemed “offensive” to listeners, once again spoke about the rise of political correctness in the social media era. Asked for his opinion of cancel culture, which is the idea that someone, usually a celebrity or a public figure, whose ideas or comments are considered offensive should be boycotted, Dee said (as transcribed by BLABBERMOUTH.NET): “It’s censorship. And censorship has changed quite a bit. I mean, you go to when I was in Washington testifying. By the way, it was a bipartisan effort — it was the Democrats and Republicans who were joined together in putting a leash on rock and roll. But it was definitely a conservative attitude — it was a more conservative attitude, wanting to censor music. Now censorship still exists, but it’s gone from the right more to the left. We’re in this P.C. [politically correct] world where we have to be careful about what we say and who we offend, and it’s a very odd thing.”
He continued: “I’ve been working on lyrics for my new album, ‘Leave A Scar’, which comes out in July, and I found myself questioning the metaphors I was using — metaphors. I mean, where is art without metaphor? Where is lyrics and writing without metaphor? Yet I was going, ‘Can I say this? Can I say this?’ I have a song called ‘In For The Kill’, and it has all these metaphorical [lines], ‘Fire at will, I’m in for the kill.’ And I was talking about going for it — just going for it — yet here I was censoring myself lyrically because of the current state of things.
“What is censorship? What’s not censorship?” Dee added. “Boy, I would say, as long as you’re not screaming ‘fire’ in a crowded movie theater, you’re cool.”
Last year, Dee told Canada’s The Metal Voice that a movie like “Blazing Saddles”, the 1974 American satirical Western black comedy film directed by Mel Brooks “could not be made today — it literally could not be made, because it would offend too many people.
“I remember seeing that movie the first time in a theater full of African-Americans in a black neighborhood in a black theater; me and my brother were the only two white people,” he continued. “And I was laughing my ass off. And my friend said, ‘Stop laughing. We’re gonna get our asses kicked.’ And I looked around the theater, and everybody was laughing. I said, ‘Everybody’s laughing.’ It’s funny. Funny is funny.
“It’s odd, because conservatism was ultra-right back in the ’80s. Now it’s shifted toward the left, where you’ve got the liberals saying, ‘Oh, you can’t say that, and you can’t say that, and you can’t say that.’
“So, yeah, [censorship] still around, it’s still an issue. But we’ve just gotta continue to push back and fight.”
In 1985, the Parents’ Music Resource Center (PMRC), led by Tipper Gore, was trying to introduce a parental warning system that would label all albums containing “offensive material.” The system was to include letters identifying the type of objectionable content to be found in each album (e.g. O for occult themes, S for sex, D for drugs, V for violence, etc.), which resulted in the “Parental Advisory” sticker now found on new album releases with “questionable content.” The incongruous trio of Snider, Frank Zappa and John Denver were called before Congress to testify in defense of music.
In 2015, Snider wrote an Op-Ed story for HuffingtonPost.com about his experience, saying: “Thirty years later, everything and nothing has changed. The ultra-conservatives still want to dictate to the masses what they deem acceptable for the general public to see and hear. The record industry is a mere shadow of its former self (apt punishment for its cowardice), and CDs and vinyl albums have almost become ‘novelties’ in a world driven by downloads. Yet, the warning labels still adorn individual track listings and albums online.
“While initially my appearance at those Senate hearings was damaging to my career and reputation, long term it was beneficial, showing people for the first time that I was much more than a screaming ‘Raggedy Ann on acid’ and a fairly intelligent, sentient human being. Fortunately, I have gone on to better things.”
TWISTED SISTER called it quits in 2016 after completing a farewell 40th-anniversary tour.
